All posts by Alyssia

About Alyssia

Alyssia is an Adult Services Librarian at the Vaughan Public Libraries. Nothing makes her happier than a great book and a great cup of coffee. She loves fiction in all formats - books, movies, television, you name it - and is always on the lookout for awesome new music.  |  Meet the team

How to Read More in 2020

woman standing on bookstoreOne of the most popular New Years Resolutions we hear around the library is “I want to read more”. And yet, like any good New Years Resolution, many of us find it impossible to stick to by the third week of January. Adult life is hectic, and those small moments of peace in a day can become another source of stress when you feel the need to maximize your enjoyment of them. Say you’ve got a couple of hours to yourself one day. How should you spend it? Well, you could crack into that book that you keep renewing. Or you could catch up on your favourite show on Netflix, or watch that movie everyone’s been talking about. Or you could throw out entertainment altogether and run some personal errands, or maybe meal prep for the week. And now, no matter which option you pick, you’ll be missing out on something. See? Stressful!  

One of the ways people work around this battle for productivity is to set themselves a reading challenge. If you’ve never heard of one, they come in a few forms. The most well-known—and possibly the one that popularized the very concept—is the Goodreads Reading Challenge, which asks users to set themselves a target number of books they’d like to read. The 2020 challenge is currently sitting at an average pledge of 44 books read in a year, working out to about 3 and a half books a month. I think most busy adults would balk at this number, but keep in mind that this average is being thrown off by ambitious teens. A more sensible number like 20 books a year, or 12 books a year, or even 5 books a year is just as valid to Goodreads! The great thing about this challenge is that it is super easy to keep track of; Goodreads allows you to catalogue your “Read” and “Want to Read” shelves, as well as offering an endless number of personalized shelves. In short, it’s fun. It is, however, public.  

For the even more ambitious, the internet is full of reading challenges that present in the form of monthly guided lists or bingo cards, with challenges like “read a book by a woman of colour” and “read a book more than 100 years old”. These are more personal challenges, in that nobody is necessarily watching you work your way through them. They can be quite helpful if you’re stuck for something to read and need quick inspiration. But sticking to them religiously can be stifling.  

Continue reading

“Let Other Pens Dwell on Guilt and Misery” or, an Ode to Romantic Comedies

Some might call December holiday season. And it is! But it’s also the season of another cheerful, warming tradition: the romantic comedy. Think about it. What goes better with cozy twinkle lights and a steaming mug of tea than two people falling in love? With Hallmark finding new life with the Christmas rom-com boom—and Netflix getting in on the action—it seems like we’re all yearning for a little something sweet come the holidays. Personally, my current watch list is stocked with Love Actually, The Holiday, Bridget Jones’s Diaryand the like, and it will be until the post-holiday blues wear off. 

The sudden resurgence of the rom-com genre in both film and book format seems ripe for analysis. Why are these stories so satisfying to us, when we can accurately map out each plot point and know literally from the beginning how they’re going to end? And why do they go through periodic booms? Well, like any genre, rom-com popularity is surely at the whim of trends, which come and go mostly without explanation. But I think there might be something more to it.

The most obvious place to look is, quite simply, the state of our world. With our relatively new access to the incessant, depressing, soul-crushing 24 hour news cycle—giving us access to previously obscure horrors from around the globe in addition to our own backyard—it’s easy to lose faith in just about everything. Whether or not the world is in a worse state than it’s ever been, the fact is we now know how terrible things are (whereas before, we may have only gotten the news in bits and pieces). So what better antidote to real-world horror than candy-coated, perfectly contrived narratives that by necessity end with a happily-ever-after? As Hugh Grant’s character says in the opening scene of Love Actually, “Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion’s starting to make out that we live in a world of hatred and greed, but I don’t see that. It seems to me that love is everywhere.” Hugh’s version of Heathrow Airport holds the same kind of heartwarming, best-version-of-humanity qualities that we love in romantic comedies. It’s a world where the good outweighs the bad, where love always wins, where you know exactly how things are going to play out. It is, in a short word, comfort.  

Continue reading

Mors Vincit Omnia: Leigh Bardugo’s Ninth House

Image result for ninth house book coverIf you’ve ever read YA, you’re probably at least passingly familiar with Leigh Bardugo, author of the Shadow and Bone and Six of Crows series (collectively called the Grishaverse). Ninth House, her newest book, is Bardugo’s first foray into the “adult” category—and boy, she was not playing around with that categorization. Readers might need a stronger stomach than they’re used to with her previous work, and should be aware that there are elements that some readers might find triggering (there was a whole online discussion about this before the book even came out). While Ninth House might be a little too “adult” for some of her younger readers, Bardugo is no stranger to dark subject matter. If any Six of Crows fans remember Kaz’s backstory (or any of their backstories, but Kaz’s was the worst), they’ll know what I mean. In fact, one of the biggest criticisms of Six of Crows was that the characters being teens made no sense at all. So really, one could argue that she’s been writing adult this whole time, just disguising it under the YA banner.  

With Ninth HouseBardugo relishes her opportunity to dig into the gritty, ugly real world with some magical touches. The story concerns the eight “ancient” secret societies of Yale—Lethe, our home base, is the extra secret, eponymous ninth. Lethe is tasked with overseeing the magic of the others, ensuring nothing goes astray. But of course, go astray things must. What’s interesting about Bardugo’s take on magic is that it patently does not make up for the ugliness of reality—it’s not an escape, it’s just another realm in which ugly things happen. In fact, Bardugo very purposefully crafted anti-heroine Alex—and the use of magic in general—as a “what if”. What if magic was real, and gifted only to a select group of already privileged people in New Haven? What if a trauma survivor was gifted this magic as well? The magic of Yale is used to explore very real topics, so that in the midst of all the ghosts and fantastical party drugs there are very real issues of assault, power plays, and murder. “You cannot write a story about magic, which is essentially going to operate as a commodity,” Barudgo said in a Time interview, “without exploring the kind of damage that we could do to each other if this were actually in play.”

Continue reading