All posts by Alyssia

About Alyssia

Alyssia is an Adult Services Librarian at the Vaughan Public Libraries. Nothing makes her happier than a great book and a great cup of coffee. She loves fiction in all formats - books, movies, television, you name it - and is always on the lookout for awesome new music.  |  Meet the team

Spotlight On: Female Directors

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Greta Gerwig, ©Merie Wallace and A24

Some people might question the value of putting female directors in a spotlight, and to them I say: the fact that it’s a question at all is reason enough. Just look at the general reaction from the public whenever someone singles out female achievement. The knee-jerk response tends to be “who cares?” and “doesn’t equality mean treating everybody equally?” Well, yes and no. In a perfect world, yes. In our systemically biased world, no. Let’s break it down into numbers. 2019 has seen a record high of female directors in high-profile films, and do you know what that record high is? 12 (potentially 14!) of the 100 top-grossing films. That’s 12%. TWELVE. The fact that this number is being celebrated is both exciting and deeply, deeply sad. So while I would love to take women’s achievements in directing for granted, we’re still in a place where a woman succeeding behind the camera is a minor novelty. So yeslet’s continue to spotlight them, until it’s no longer interesting to do so!   

But why should we care about women behind the camera? Well, for the same reason that it’s important for anyone to be behind the camera: to exert some level of control over representation, to give audiences as organic experience as possible. This is true of POC directors, LGBTQ+ directors, even white male directors. We all want our stories told, and we all want our stories to be appreciated. True representation brings us closer to something resembling understanding. Allowing people to tell their own stories opens up new worlds to audiences, which they may never have been able to experience otherwise. To quote Pocahontas (a problematic movie, I know—indulge me), “you’ll learn things you never knew you never knew.” We all have our own unique experiences and perspectives, which allow us to interpret the world differently and in turn provide insight for others that may not come naturally to them. None of us are born omniscient; we learn through exposure. Film is a helpful, no-brainer medium for that.  

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Pumpkinheads

Image result for pumpkinheadsCan you feel it? There’s a crispness in the air, beckoning you to curl up on the couch with a mug of hot apple cider, or maybe a PSL. Hot Girl Summer is officially behind us, and now it’s time for Cozy Girl (or Boy, or Person) Autumn. Hygge nights, the sweet scent of rotting leaves, Halloween candy at every turn…..if anyone tries to tell you fall isn’t the best season, they’re lying. In between reading spooky stories, planning my Halloween costume, and buying far too many decorative gourds, I picked up a copy of Pumpkinheads by the prolific Rainbow Rowell (her latest book, Wayward Son, came out just few weeks ago), and if you for some reason still need some autumn inspo to really get into the season, this young adult graphic novel should hit the spot.  

Set in the span of a single night, Pumpkinheads is a short and sweet story about two high school seniors Deja and Josiah, who reunite every fall at the local pumpkin patch where they’ve worked for the past four years. This pumpkin patch, enthusiastically named DeKnock’s World Famous Pumpkin Patch and Autumn Jamboree, claims to be “the best pumpkin patch in the whole wide world”—a bold claim and, if the artwork is anything to judge by, an accurate one. This night (Halloween) is Deja and Josiah’s last night at the pumpkin patch ever; they’ll be off to college next year. So, determined to live their final day to the fullest, Deja decides it’s time for Josiah to do what he’s been putting off for four years: confess his massive crush to the mysterious “Fudge Girl” girl who works at the Fudge Shoppe across the way. This sudden urge sparks a series of misadventures as, unable to find Fudge Girl, Deja drags the shy Josiah all through the pumpkin patch, past the smores pit and candy apple stand, through the corn maze and the hay ride. 

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The Return of Lana Del Rey

Lana Del Rey - Norman Fucking Rockwell.pngLana Del Rey is a study in opposition. Simultaneously manufactured and authentic, out of time and very much present. When she appeared on the scene in 2011 with her YouTube breakouts “Blue Jeans” and “Video Games”, the internet seemed split down the middle on what to make of her. Who was this mysterious crooning woman and where did she come from? Her perfectly-honed, old-world glam persona wasn’t like anything else at the time: the top artists of the year were Rihanna, Lady Gaga, Katy Perry, and Adele in her “Rolling in the Deep” phase (special shout-out to the #2 song of the year: “Party Rock Anthem” by LMFAO. What were we doing in 2011?). Lana maintained her persona, despite the internet quickly uncovering her true identity as Elizabeth Grant from New York City—even going so far as to claim she never had plastic surgery (brazen lie). She was an alluring and exasperating figure, and her image overshadowed her music. Not that we’re in an especially kind environment now, but in 2011 it was perfectly acceptable to rip female artists to shreds without a care in the world. We did it as a pastime. And Lana’s refusal to be cowed by criticism was both frustrating and—in hindsight—exactly what the world needed.  

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