Artistically Astounding Animated Films

Spider-Man: Across the Spider-Verse movie poster
image via Wikipedia

…Can you tell I love alliteration? I also really love art, movies, and art in movies! I recently watched the new animated Spider-Man film, Across the Spider-Verse and let me tell you—the art and animation was as jaw-dropping as the prequel, Spider-Man: Into the Spider-verse.

Just like the prequel, the animation pushed the boundaries of the genre and of the silver-screen, was inextricable linked with the multiverse concept, various story beats, and character development, and visually conveyed the humour that Spider-Man is known for as much as he is for his web-slinging!

Because I’m a nerd, I’ve been eagerly exploring behind-the-scenes factoids on how the art of the film came together. Here are some fun tidbits on this movie:

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Off the Tabletop and on to the Screen

The cover of Tal'Dorei Campaign Setting by Matthew Mercer

So for my last post, I wrote about TTRPG-inspired books and linked to a few rulebooks to help burgeoning GMs or players get started. What I only did once, and didn’t point out, was a link to a System Reference Document, or SRD. That was the Pathfinder link; there’s also a Pathfinder 2nd edition SRD, a D&D 5th Edition SRD, a Gumshoe SRD, and many others. These documents exist so that companies and GMs can create new adventures for existing systems or branch off these systems to develop their own games, as Pathfinder did from D&D 3.5e. They’re also an excellent place for Players and GMs to learn the rules of a game, and if all you can get hold of is a campaign book from our collection or you want to create your own adventure, these are a great, free place to start. They don’t contain all of your options and won’t have trademarked creatures in them, but they have enough to run a campaign or create a character; I know this first-hand.

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The Moon Travel Guides and Places I’ve Loved

Cover image for Moon Travel Guide, New York City.

Not too long ago, I came across the Moon travel guides while searching for information on Quebec City in our catalogue. A quick Google search led me to the guides’ about us page, which presents a perspective on travel writing that’s off the beaten path, shall we say. The area of ethical travel is a burgeoning one, and I was aware of the growing discourse on traveling responsibly and sustainably but had never come across a series of guides published by one of the five major book publishers in North America (Hachette Book Group) in this vein.

It turns out the Moon guides started in California in the 1970s as an independent publication with humble ‘Xeroxed’ pages. Now, they publish hefty tomes with advice for patronizing local businesses, making the most of the outdoors, strategizing to maximize time spent, and how to focus on sustainability. They also make sure that each author of a particular guide either lives in the places they write about or has spent a significant amount of time in that location. With all this in mind, I thought I would share some of the guides I’ve used and some that I would have used if I’d known they’d existed, all in the hopes that I may inspire you to do your own ethical travelling this summer!

New York City

I have travelled to the metropolitan goliath that is New York City twice now. I enjoyed each of my visits greatly, although sensory overload is an understatement when it comes to the streets of Manhattan. That being said, the level of cuisine, theatre, art, and any other experience you can think of within those 59 square kilometres is unparalleled. I recommend seeing a show on Broadway or off — sometimes the most interesting plays are being shown outside of the mainstream — and finding a local restaurant that is completely unique to the area. To give an example, after attending a particularly entertaining and smart production of A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City, I convinced my mother to walk a good six or seven blocks out of our way to a restaurant in the West Village. We also caught a glimpse of both Jerry O’Connell and Sigourney Weaver that night after the play had ended, in case that’s of interest. The restaurant was called L’Artusi, and it has impressively survived the devastation that the pandemic brought to the hospitality business in general. Its specialty is simple: modern Italian dishes, excellently prepared and seasoned with an eye for detail. I remember we walked up to the doors, inlaid with a glass panel through which we could spy a dark dining room and flickering candle light. For a moment, we were worried it was closed, but then we pushed open the door to be greeted by friendly staff. There was room for us after all in the dim ambiance. It was a lovely meal.

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