Modern Myths

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Modern Myths

The cover of The Penelopiad, by Margaret Atwood

I have always been fascinated by mythology and, to a lesser extent, the religions surrounding it. Or that created the myths in the first place. Having been raised religious only to eschew that way of life as I get older, as many people in my generation have, I still remember the stories that are part of the mythos of Catholicism*1: God creating the world in seven days*2, Noah’s ark, David and Goliath, The Book of Revelation, and others. These are shared archetypical stories transcending cultures, even if details differ. The Creation Myth*3, The Ark*4, Divine Intervention*5, and The End of the World as We Know It*6 link with the stories mentioned. With these tales being archetypical, it’s only natural that they get repackaged and repurposed as time passes. Sometimes they’re brought into modern times but maintain the same message or ideas. Other times authors take them in a different direction or focus on characters that were sidelined in the original tale, which is particularly common with female characters. These rewrites can be serious, satirical, feminist, drive home An Aesop*7, or just stories that use mythology as a jumping-off point for something otherwise original.

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Type Talk: Fanfiction

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Photo by Marcos Paulo Prado on Unsplash

Welcome to the last post in this series created in honour of VPL’s ongoing Reading Challenge and this year’s Summer Reading Club. Today I wanted to talk about fanfiction! The name itself is basically self-explanatory, but for clarity’s sake: it’s fiction inspired by someone else’s source material. This can be anything under the sun, including movies, tv shows, video games, books, other fanfiction, art, and even people (which is a subgenre known as RPF, or Real Person Fiction) and can feature bands, celebrities, historical figures, and more.

Fanfiction is not just about written works, either. It belongs to the broader category of fanworks, which include fanart, fan videos, fan music, etc.

Sometimes, fanfiction’s connection to the source material is clear and obvious. Other times, were it not for the names of the characters, you might never know what original work inspired it.

You may be wondering how legal this is, and the answer is…complicated. It depends on the source material’s copyright restrictions, how relaxed the original creators are about derivative works (see Anne Rice, who was famously ruthless about it), and whether any profit is being made off it (short answer: no profit means it’s usually fine).

Here’s an article on that aspect of fanfiction, as well as how it relates to censorship and free speech, if you’re interested in learning more.

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The Vampire: A Brief History

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This spooky season I find myself falling headlong back into the clutches of vampire fiction, a turn of events spurred on by the fantastic new television adaptation of Interview With the Vampire. Ever since HBO’s bonkers True Blood ended, I’ve been craving something that truly gets the horror, the thrill, the sheer camp of vampires. Pop culture needed a bit of a break from them, but this fall we have four new vampire book adaptations airing. We’re back, baby! And we (vampire fans) are getting everything our goth little hearts desire. For too long it’s been all about zombies. Enough. Time for the return of decadence. 

For the past couple hundred years, vampires have enjoyed a stable presence in literature, waning in and out of fashion. And while people might still roll their eyes at the concept of vampire romance, probably bemoaning the cheesiness of Twilight, the fact of the matter is that for as long as there have been vampires in fiction, they have been intrinsically tied to romance—or at least, to desire. In 1700s Western Europe, the novel as we know it was in its fledgling form, and much of the written content was meant to be lurid and titillating (often under the guise of morality-teaching) for a newly widespread audience (think Fanny Hill or Pamela). Around the same time, Eastern Europe was gripped by a “vampire epidemic”; a sort of mass hysteria that caused townsfolk to exhume corpses they were convinced were coming back to life. Shortly after this time period came Gothic literature. The motifs are familiar: decaying castles or abbeys, vengeful murder, damsels, lascivious villains, and so on. Basically, Gothic fiction was the height of melodrama (for a crystallization of all of these themes and more, see 1796’s The Monk by Matthew Lewis). 

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