ROMANCE FICTION - FRIENDSHIPS A shimmering, joyful new novel about a pair of opposites with the wrong thing in common, from #1 New York Times bestselling author Emily Henry, Daphne always loved the way Peter told their story. How they met, fell in love, and moved back to his lakeside hometown to begin their life together. Too bad it turned out to be more of a prequel, a complication to Peter's actual love story, the one that ends with him dumping Daphne before their wedding to begin a relationship with his lifelong best friend, Petra. And so that's how Daphne's story really begins: stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children's librarian (that barely pays the bills), and proposing to be roommates with the only other non-Peter-related person she knows: Petra's heartbroken ex, Miles Nowak. Just until she can get a new dream job literally anywhere else. Scruffy and chaotic, Miles is entirely the opposite of buttoned-up Daphne, and they mainly avoid one another until one night, while drowning their sorrows, they form a tenuous friendship. Miles decides he will convince Daphne to give Waning Bay a real shot. He'll show her why he loves this idyllic town and its residents, and if they happen to post deliberately misleading photos of their adventures together-for a particular audience of two-who could blame them? Miles believes Daphne deserves the chance to build a life here, her own life. As she begins to fall for the town, Daphne wonders what this summer is supposed to mean. Is it just for fun? An interlude to her own love story? Or maybe it was never meant to be a love story? Maybe it was just an anecdote to share at future dinner parties: that time she fell in love with her ex-fiancé's new fiancée's ex-boyfriend. Who's to say?
(15 copies)
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HISTORICAL FICTION - WORLD WAR II Before everything changed, young Hannah Rosenthal lived a charmed life. But now, in 1939, the streets of Berlin are draped with red, white, and black flags; her family's fine possessions are hauled away; and they are no longer welcome in the places that once felt like home. Hannah and her best friend, Leo Martin, make a pact: whatever the future has in store for them, they'll meet it together. The German Girl sweeps from Berlin at the brink of the Second World War to Cuba on the cusp of revolution, to New York in the wake of September 11, to the tumult of present-day Havana.
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PSYCHOLOGICAL THRILLER - WITNESSES Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She’s even started to feel like she knows the people who live in one of the houses. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. If only Rachel could be that happy. And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Now Rachel has a chance to become a part of the lives she’s only watched from afar. Now they’ll see; she’s much more than just the girl on the train...
(13 copies)
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HISTORICAL FICTION - FAMILIES In 1486, Orsola Rosso is the eldest daughter in a family of glassblowers in Murano, Italy. As a woman, she is not meant to blow glass-but when her father dies, she teaches herself to make beads in secret, and her work becomes the cornerstone of the Rosso family fortunes. Skipping like a stone through the centuries, we follow Orsola and her family as they live through creative triumph and heartbreaking loss, from a plague rearing its head over Venice to Continental soldiers stripping its palazzos bare, from the domination of Murano and its maestros to the transformation of the city of trade into a city of tourists. In every era, the Rosso women ensure that their work, and their bonds, endure
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DYSTOPIAN FICTION - SIBLINGS From a literary master, a moving and genre-bending story about our era-spanning search for meaning and knowing.
An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world.
Add two children. And a horse.
From a Scottish word meaning a transient moment, a shock, a faint glimpse, Gliff explores how and why we endeavour to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data—something easily categorizable and predictable—Smith shows us why our humanity, our individual complexities, matter more than ever.
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HISTORICAL FICTION - SYRACUSE (ITALY) Set in Syracuse, Sicily, during the Peloponnesian War but told in contemporary Irish dialect, Glorious Exploits follows Lampo and Gelon, best friends since childhood. Thrilled to have survived the Athenians' recent invasion and as shocked by the Syracusan victory as everyone else, these unemployed potters are in a mood to celebrate. Of course, they hate the Athenians. Still, that doesn't mean you can't love the theatre of their great playwright Euripides, does it? Realizing that if the Athenians are as doomed as everyone says, this might be their last chance to hear Euripides's poetry, they go down to the quarry where the Athenian prisoners are being held and offer extra rations to any prisoner who can recite his work, a decision that sets into motion an extraordinary series of events. A novel that asks big questions about war and its aftermath, Glorious Exploits is a story as hopeful and playful as it is tragic
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HISTORICAL FICTION - HOMECOMING Twenty-six-year-old Jean Louise Finch--"Scout"--returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town, and the people dearest to her. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in painful yet necessary transition out of the illusions of the past--a journey that can only be guided by one's own conscience.
(15 copies)
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PSYCHOLOGICAL FICTION - MISSING PERSONS When Barbara Van Laar is discovered missing from her summer camp bunk one morning in August 1975, it triggers a panicked, terrified search. Losing a camper is a horrific tragedy under any circumstances, but Barbara isn't just any camper, she's the daughter of the wealthy family who owns the camp--as well as the opulent nearby estate, and most of the land in sight. And this isn't the first time a Van Laar child has disappeared in this region: Barbara's older brother also went missing 16 years earlier, never to be found. How could this have happened yet again? Out of this gripping beginning, Liz Moore weaves a richly textured drama, both emotionally nuanced and propelled by a double-barrelled mystery. Chasing down the layered secrets of the Van Laar family and the community working in its shadow, Moore's multi-threaded drama brings readers into the hearts of characters whose lives are forever changed by this eventful summer: Barbara's wounded, grieving mother; the "townie" whose family makes a living off this land; the 13-year-old camper struggling to find her way; and the outsider tasked with seeing the bigger picture, and uncovering the truth.
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HISTORICAL FICTION - DYSFUNCTIONAL FAMILIES Lenora Allbright is 13 when her father convinces her mother, Cora, to forgo their inauspicious existence in Seattle and move to Kaneq, AK. It's 1974, and the former Vietnam POW sees a better future away from the noise and nightmares that plague him. Having been left a homestead by a buddy who died in the war, Ernt is secure in his beliefs, but never was a family less prepared for the reality of Alaska, the long, cold winters and isolation. Locals want to help out, especially classmate Matthew Walker, who likes everything about Leni. Yet the harsh conditions bring out the worst in Ernt, whose paranoia takes over their lives and exacerbates what Leni sees as the toxic relationship between her parents. The Allbrights are as green as greenhorns can be, and even first love must endure unimaginable hardship and tragedy as the wilderness tries to claim more victims.
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LITERARY FICTION - GENEALOGY It's 2034 and Jake Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world's last remaining forests.
It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion.
It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire.
It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades.
And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival.
A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.
(15 copies)
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