"Edgar-Award nominee Elle Cosimano's adult debut Finlay Donovan Is Killing It is the first in a witty, fast-paced mystery series, following struggling suspense novelist and single mom Finlay Donovan, whose fiction treads dangerously close to the truth as she becomes tangled in real-life murder investigations. Finlay Donovan is killing it... except, she's really not. She's a stressed-out single-mom of two and struggling novelist, Finlay's life is in chaos: the new book she promised her literary agent isn't written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors. When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she's mistaken for a contract killer, and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet... Soon, Finlay discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation. Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments, Finlay Donovan Is Killing It is the first in a brilliant new series from award-winning author Elle Cosimano."

When their lips touch, will she seal his fate? From the outside, Lorelai is an ordinary young woman with a normal life. She loves reading, she works at the local cinema and she adores living with her best friend. But she carries a painful burden, something she's kept hidden for years; whenever she kisses someone on the lips, she sees how they are going to die. But she's never known if she's seeing what was always meant to be, or if her kiss is the thing that decides their destiny. And so, she hasn't kissed anyone since she was eighteen. Then she meets Grayson. Sweet, clever, funny Grayson. And for the first time in years she yearns for a man's kiss. But she can't... or can she? And if she does, should she try to intervene and change what she sees?

The virtuous daughter of a senile vicar, Imogen Bates, a pillar of the community, is determined to sabotage Peregrine Butler's attempts to land an heiress by any means necessary until she realizes that she wants him all to herself.

King crab fisherman Fox Thornton has a reputation as a sexy, carefree flirt. Everyone knows he's a guaranteed good time?́?in bed and out?́?and that's exactly how he prefers it. Until he meets Hannah Bellinger. She's immune to his charm and looks, but she seems to enjoy his?́Œ personality? And wants to be friends? Bizarre. But he likes her too much to risk a fling, so platonic pals it is. Now, Hannah's in town for work, crashing in Fox's spare bedroom. She knows he's a notorious ladies' man, but they're definitely just friends. In fact, she's nursing a hopeless crush on a colleague and Fox is just the person to help with her lackluster love life. Armed with a few tips from Westport's resident Casanova, Hannah sets out to catch her coworker's eye?́Œ yet the more time she spends with Fox, the more she wants him instead. As the line between friendship and flirtation begins to blur, Hannah can't deny she loves everything about Fox, but she refuses to be another notch on his bedpost. Living with his best friend should have been easy. Except now she's walking around in a towel, sleeping right across the hall, and Fox is fantasizing about waking up next to her for the rest of his life and?́Œ and?́Œ man overboard! He's fallen for her, hook, line, and sinker. Helping her flirt with another guy is pure torture, but maybe if Fox can tackle his inner demons and show Hannah he's all in, she'll choose him instead?

Pacific Hills, California: Gated communities, ocean views, well-tended lawns, serene pools, and now the new home of the Shah family. For the Shah parents, who came to America twenty years earlier with little more than an education and their new marriage, this move represents the culmination of years of hard work and dreaming. For their children, born and raised in America, success is not so simple. For the most part, these differences among the five members of the Shah family are minor irritants, arguments between parents and children, older and younger siblings. But one Saturday night, the twelve-year-old son is arrested. The fallout from that event will shake each family member's perception of themselves as individuals, as community members, as Americans, and will lead each to consider: how do we define success? At what cost comes ambition? And what is our role and responsibility in the cultural mosaic of modern America?--